Omega Reader is a panel of six expert readers — alpha, beta, developmental, line, copy, and sensitivity — who read your book the way a publishing house would. Specific, line-by-line feedback and the honest reactions friends won't give you. Ready before your next query letter.
First chapter free · No card · Your manuscript stays yours
The morning she finally left, Mara forgot the kettle on — a small, deliberate kind of arson she would not admit to for years. The window over the sink held the kind of grey London light that flattered nothing, and the kettle screamed at her like a dependent.
She did not turn it off. She picked up the suitcase she had packed three Tuesdays ago and walked.
It would be unfair to say she had no plan. She had a plan the way a child has a religion — inherited, fervent, and full of holes.
Mara's mother had taught her to lock a door three times: latch, deadbolt, suspicion. So she locked it three times.
"'A small, deliberate kind of arson' — keep. 'screamed at her like a dependent' — try: 'like something she owed money to.' Sharper claim."
Each reader is a specialist agent with its own prompt scaffolding, reference library, and tone. They read in sequence — the way a publishing house actually works — so notes compound instead of contradict.
Gut reaction
Your impatient first reader. Reacts in real time as it goes — boredom, confusion, the moment they wanted to text a friend a line.
Whole-book pass
Reads the whole book end-to-end before forming an opinion. Tracks promises, plants, payoffs, and which characters they forgot existed.
Structure & arc
Three-act, beat sheet, save-the-cat, lester dent — whichever scaffold fits your genre. Returns a structural memo, not just notes.
Sentence by sentence
Trims, tightens, and asks if you meant exactly that word. Trained on the difference between voice and verbosity.
Grammar & continuity
Style-sheet enforcement, continuity, comma policy. Speaks fluent Chicago, AP, New Hart's, and 'whatever Penguin uses this season'.
Lived experience
Reads with care for lived experience. Flags assumptions and offers, where useful, alternatives — never demands.
DOCX, PDF, or paste. We split chapters automatically and never train on your text.
Tell the readers your genre, comps, audience, and the kind of honesty you want. Brutal is an option.
The panel reads in sequence. Watch margin notes appear live, or close the laptop and come back.
Accept notes inline, ask a reader to defend itself, or request a second pass on a single chapter.
See it work before you sign up for anything. Pick a reader, drop in a line of your own, and get real feedback in seconds.
"She had loved him the way one loves a country one has never visited, with a precision that wore the name of devotion."
I'd been sitting on chapter four for nine months. The developmental memo named the thing I couldn't — the protagonist had no want yet. Three weeks later I was on submission.
I write romantasy and I am tired. Omega's beta gave me a 22-page reader report by morning. My critique partners are wonderful and they are also asleep.
The line editor disagreed with itself when I pushed back. Then it apologised, then it held its ground on one cut. I learned more in that exchange than in my MFA workshop.
The base panel is open to everyone right now. The Pro Critics are unlocked with a beta code. Paid plans arrive when saved projects and manuscript upload ship — until then, drafts live in your browser and nothing is stored on our servers.
Anyone can use it. No card, no signup required.
Add the original NYT-track Craft Critic plus eight other expert critics.
When the saved-projects, manuscript-upload, and longer reads ship.
Anything else, our concierge editor — a real human, hello — answers within a working day.

One free chapter, no card. The feedback shows up before your coffee finishes brewing.